There is an interesting rhetorical move that I notice increasingly, which we might refer to as self-reinforcing criticism. An example of this is given in one of Edward De Bono’s books: a caricature of a Freudian analyst argues that some negative trait that someone has is due to their repressing some aspect of their personality. The person being criticized has very little in the way of response. Either they agree, or they disagree. If they disagree then that can itself be used as evidence of even deeper repression!
A common use of this is in planning processes in organisations. A complex proposal will be presented, which is roundly criticized for a number of reasons. However, rather than taking on the criticisms, the person presenting the argument counters with the argument that the critics are just “afraid of change”.
We need a term to “call out” this kind of specious argument. I have experimented by called out the emotional aspects of it: “why are you in a position to know how I am feeling?”. But this isn’t ideal. We need a term of art to describe this, and then to create a pejorative sense to that term. Perhaps a term for this already exists in rhetoric somewhere?
Relatedly, there is a phenomenon where a complex proposal will be presented and, if it is attacked, the proposer will say “well, what do you suggest instead?”. This is difficult to respond to, as the proposer is in the position where they have had days, weeks or months to prepare their proposal, whereas the off-footed opponent has a matter of seconds or minutes. I wonder if we should be working harder to make multi-alternative proposals to be both normal (so that proposals with only one alternative are seen as weak) and acceptable (so that presenting proposals with multiple alternatives are not seen as being weak and indecisive).
